“The dialectic between change and continuity is a painful but deeply instructive one, in personal life as in the life of a people.”

What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion.

It is not really about them though it targets them as consumers.

Reality, the oppressor’s tongue.

I am a citizen of a country that has just undergone a thieved election, a country deeply and dangerously divided between rich and poor, but also between rich and middle class.

So endlessly, still expecting to be believed. We are accustomed to the contempt inherent in the political lie.

A life I didn’t choose chose me: even my tools are the wrong ones for what I have to do.

I choose to love this time for once with all my intelligence -from “Splittings

I think my work comes out of both an intense desire for connection and what it means to feel isolated. There’s always going to be a kind of tidal movement back and forth between the two.

Sexuality, politics, intelligence, power, motherhood, work, community, intimacy will develop new meanings; thinking itself will be transformed. This is where we have to begin.

I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.

If, as women, we accept a philosophy of history that asserts that women are by definition assimilated into the male universal,that we can understand our past through a male lens.

If the imagination is to transcend and transform experience it has to question, to challenge, to conceive of alternatives, perhaps to the very life you are living at the moment.

Can individual psychic wounds really heal in an abusive and fragmented society? Audre Lorde has a poem which begins,

The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.

It takes some strength of soul–and not just individual strength, but collective understanding–to resist this void, this nonbeing, into which are thrust, and to stand up, demanding to be seen and heard.

What we see, we see and seeing is changing

For a woman, le smoking is an indispensable garment with which she finds herself continually in fashion, because it is about style, not fashion.

The University of Cambridge, in accordance with that law of its evolution, by which, while maintaining the strictest continuity between the successive phases of its history, it adapts itself with more or less promptness to the requirements of the times, has lately instituted a course of Experimental Physics.

If you live in Europe . . . things change . . . but continuity never seems to break. You don’t have to throw the past away.

I write these shows one joke at a time. There’s no continuity. I do try to figure an order to the stories, but there’s not continuity.

Indirectly modifying the whole surface of the earth, breaking in upon any supposition of zoological continuity, and utterly unaccounted for by what we have any right to call the laws of nature.