“We have lived with violence far too long.”

To seek visions, to dream dreams, is essential, and it is also essential to try new ways of living, to make room for serious experimentation, to respect the effort even where it fails.

The marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.

We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.

Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work.

When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart.

Poems are like dreams: in them you put what you don’t know you know.

What kind of beast would turn its life into words?

Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for woman more than a chapter in cultural history: it is an act of survival.

The kind of poetry that interests me is intellectual and moral and political and sexual and sensual – all of that fermenting together.

Even where love has run thin the child’s soul musters strength… the rush of purpose to make a life worth living past abandonment building the layers up again over the torn hole.

I’d call it love if love didn’t take so many years but lust too is a jewel.

What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion.

It is not really about them though it targets them as consumers.

Reality, the oppressor’s tongue.

I am a citizen of a country that has just undergone a thieved election, a country deeply and dangerously divided between rich and poor, but also between rich and middle class.

The dialectic between change and continuity is a painful but deeply instructive one, in personal life as in the life of a people.

I feel that I’ve lived and see the same evolution in this regard around disability.

Once again, we find ourselves back in the unknown – not in the idea of the unknown, but in the lived reality of it. It’s the mind humbled, on its knees, with bare feet and free of the known.

Each feminist work has tended to be received as if it emerged from nowhere; as if each one of us had lived, thought, and worked without any historical past or contextual present.

I was born and raised in Dallas, Texas and seasonally lived in New Orleans and Boston.

I think part of what makes movies special is that it is a relatively intimate environment and it’s pretty short-lived.

I wouldn’t trust the best fifteen minutes I ever lived to get me into heaven.

You can live with victory over the desires of your flesh. Habits, attitudes, desires, worries.

I knew I wasn’t going to die 20 miles from where I was born, no 20 miles from where I lived.