I think my work comes out of both an intense desire for connection and what it means to feel isolated. There’s always going to be a kind of tidal movement back and forth between the two.
ADRIENNE RICHMost of them, though not all, arewhite and male. But even as American society is unravelling, becoming more violent and punitive, wonderful political poetshave been emerging.
More Adrienne Rich Quotes
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When someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing. Yet you know you exist and others like you, that this is a game with mirrors.
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To “see the light” too often has meant rejecting the treasures found in darkness.
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White hate crimes, white hate speech. I still try to claim I wasn’t brought up to hate. But hate isn’t the half of it. I grew up in the vast encircling presumption of whiteness.
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The truth of our bodies and our minds has been mystified to us. We therefore have primary obligation to each other: not to undermine each other’s sense of reality for the sake of expediency; not to gaslight each other.
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One of the great functions of art is to help us imagine what it is like to be not ourselves, what it is like to be someone or something else.
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Only to have a grief equal to all these tears!
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We may feel bitterly how little our poems can do in the face of seemingly out-of-control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation.
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I am uncomfortable with talking of poetry as a priestly profession, because I have little use for organized religions and priestly hierarchies. They have demoralized, persecuted, so many, including women, gays, non-believers.
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The worker can unionize, go out on strike; mothers are divided from each other in homes, tied to their children by compassionate bonds; our wildcat strikes have most often taken the form of physical or mental breakdown.
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Even where love has run thin the child’s soul musters strength… the rush of purpose to make a life worth living past abandonment building the layers up again over the torn hole.
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In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world.
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Lies are usually attempts to make everything simpler – for the liar – than it really is, or ought to be.
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The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power.
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Motherhood is the great mesh in which all human relations are entangled, in which lurk our most elemental assumptions about love and power.
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I’ve had to guess at her, sewing her skin together as I sew mine, though with a different stitch
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We have no familiar, ready-made name for a woman who defines herself, by choice, neither in relation to children nor to men, who is self-identified, who has chosen herself.
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These scars bear witness but whether to repair or to destruction I no longer know.
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If the imagination is to transcend and transform experience it has to question, to challenge, to conceive of alternatives, perhaps to the very life you are living at the moment.
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How we dwelt in two worlds the daughters and the mothers in the kingdom of the sons.
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The moment of change is the only poem.
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Sleeping. Turning in turn like planets rotating in their midnight meadow: a touch is enough to let us know we’re not alone in the universe, even in sleep.
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Not biology, but ignorance of ourselves, has been the key to our powerlessness
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There is nothing revolutionary whatsoever about the control of women’s bodies by men.
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We move but our words stand become responsible for more than we intended and this is verbal privilege
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The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from “Transcendental Etude
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We who were loved will never unlive that crippling fever.
ADRIENNE RICH