I am a woman in the prime of my life, with certain powers and those powers severely limited by authorities whose faces I rarely see.
ADRIENNE RICHWe may feel bitterly how little our poems can do in the face of seemingly out-of-control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation.
More Adrienne Rich Quotes
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It is part of our refusal of the self-destructiveness of male-dominated society.
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That a war can be represented as helping a people to ‘feel good’ about themselves, or their country, is a measure of that failure.
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The danger lies in forgetting what we had. The flow between generations becomes a trickle, grandchildren tape-recording grandparents’ memories on special occasions perhaps-no casual storytelling jogged by daily life.
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Across the curve of the earth, there are women getting up before dawn, in the blackness before the point of light, in the twilight before sunrise; there are women rising earlier than men and children to break the ice, to start the stove, to put up the pap.
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I don’t think we can separate art from overall human dignity and hope.
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There is already a gap between those with education and those without. Those with educational privilege can be seen as arrogant, remote, alien – and very often they believe themselves superior.
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I’d call it love if love didn’t take so many years but lust too is a jewel.
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A book of poems doesn’t just come out by chance, an editor has to select it, a publisher has to distribute it or you will never see it.
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One does not give birth in a void, but rather in a cultural and political context. Laws, professional codes, religious sanctions, and ethnic traditions all affect women’s choices concerning childbirth.
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The unconscious wants truth. It ceases to speak to those who want something else more than truth.
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One of the great functions of art is to help us imagine what it is like to be not ourselves, what it is like to be someone or something else.
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No one sleeps in this room without the dream of a common language.
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Despair, when not the response to absolute physical and moral defeat is, like war, the failure of imagination.
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The moment of change is the only poem.
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if we are unaware that women even have a history–we live our lives similarly unanchored, drifting in response to a veering wind of myth and bias.
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It’s as if, in the mother’s eyes, her smile, her stroking touch, the child first reads the message:’You are there!’
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Even where love has run thin the child’s soul musters strength… the rush of purpose to make a life worth living past abandonment building the layers up again over the torn hole.
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There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
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Your mind now, moldering like wedding-cake, heavy with useless experience, rich with suspicion, rumour, fantasy, crumbling to pieces under the knife-edge of mere fact. In the prime of your life.
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Love, our subject: we’ve trained it like ivy to our walls.
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Change is not a threat to your life, but an invitation to live.
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Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
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Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
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What would it mean to live in a city whose people were changing each other’s despair into hope?– You yourself must change it.
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But before we were mothers, we have been, first of all, women, with actual bodies and actual minds.
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A withdrawal from thinking in terms of social and collective values, needs and solutions. The consciousness-raising groups of the women’s movement, for instance, becoming “support-groups” or therapy groups.
ADRIENNE RICH