The New York Hilton is laid out with a competence that would make a computer blush.
ADA LOUISE HUXTABLESymbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
More Ada Louise Huxtable Quotes
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
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The skyscraper is the point where art and the city meet.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
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Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
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