All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
ADA LOUISE HUXTABLESymbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
More Ada Louise Huxtable Quotes
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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The skyscraper is the point where art and the city meet.
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Surrogate experience and surrogate environments have become the American way of life.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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Clutter in its highest and most organized form is called collecting.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization.
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
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Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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