It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
ADA LOUISE HUXTABLEUntil the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
More Ada Louise Huxtable Quotes
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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The skyscraper is the point where art and the city meet.
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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Real estate is the closest thing to the proverbial pot of gold.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
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California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
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