“I want to put my soul into the music and still be who I am when it comes to an actual conversation.”

If I feel like making something, if I feel like saying something on the track, that’s what I am going to do – regardless of reaction.

I used to think that there was a certain way I had to stick to when it came to R&B, but now I’m saying whatever, the same way these rappers do. I’m bringing that into R&B music.

I don’t really feel the loyalty to any particular genre. To be completely honest, I’m an R&B singer because I’m black and I sing.

I work while I’m on the move, so I’m able to book sessions in different cities.

If you can look in the mirror and say I love myself, that’s going to affect your interactions with people who look like you.

I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.

I really just wanted to make something special for women. There aren’t enough records uplifting them out there.

I think it’s good that YouTube decided that they really want to showcase Black talent.

An outside party don’t ever stay outside.

If you tell somebody that you make music they’re all interested. But when you say you rap, they just start rolling their eyes at you. It would’ve taken me a lot longer to get my foot in the door if I’d continued rapping all the way.

I know when it comes to the actual narrative of my solo music, it’s its own thing. That’s why I went out of my way after ‘Crew’ to not do a bunch of collaborations.

I feel you gotta be nervous. If you’re nervous, it’s just ’cause you want to do well, it’s not ’cause you’re scared.

I’ll listen to certain things that I made back then, and I’m like, ‘I wish I could have done this, I would’ve done that’. When you start out making music, you just want to make something that people will like.

Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.

I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, ‘Bet, now I can focus on writing and singing.’

I was reading Neil Postman’s ‘Amusing Ourselves to Death’. It’s one of my favourites.

As a child I wanted to be a grown-up. I wanted to know everything – not that I like to talk about it. I hate intellectual conversation with intellectuals because I only care about my opinion.

It’s hilarious a lot of times. You have a conversation with someone, and he’s like, ‘You speak so well!’ I’m like, ‘What do you mean? Do you understand that’s an insult?

The very old certainly do not go back on lunch remains but they do bite back at old conversational topics.

Among the Igbo the art of conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten.

God knew where he was, but he asked so as to start a conversation with Adam and avoid startling him too much to reply.

For the human species to evolve, the conversation must deepen.

Gossip is conversation about people.

At the end of the day, I want to be part of the same conversation as Chris Rock, Eddie Murphy, Dave Chappelle, Bill Cosby and Richard Pryor.