“I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.”

My music is often written from the perspective of an extroverted introvert.

If it feels good coming out, then I really don’t care about anything else, for real. It’s all about just having fun with it. If it feels like less work, then the project is coming out better.

If I feel like making something, if I feel like saying something on the track, that’s what I am going to do – regardless of reaction.

I used to think that there was a certain way I had to stick to when it came to R&B, but now I’m saying whatever, the same way these rappers do. I’m bringing that into R&B music.

I don’t really feel the loyalty to any particular genre. To be completely honest, I’m an R&B singer because I’m black and I sing.

I work while I’m on the move, so I’m able to book sessions in different cities.

If you can look in the mirror and say I love myself, that’s going to affect your interactions with people who look like you.

I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.

I really just wanted to make something special for women. There aren’t enough records uplifting them out there.

I think it’s good that YouTube decided that they really want to showcase Black talent.

An outside party don’t ever stay outside.

If you tell somebody that you make music they’re all interested. But when you say you rap, they just start rolling their eyes at you. It would’ve taken me a lot longer to get my foot in the door if I’d continued rapping all the way.

I know when it comes to the actual narrative of my solo music, it’s its own thing. That’s why I went out of my way after ‘Crew’ to not do a bunch of collaborations.

I feel you gotta be nervous. If you’re nervous, it’s just ’cause you want to do well, it’s not ’cause you’re scared.

I’ll listen to certain things that I made back then, and I’m like, ‘I wish I could have done this, I would’ve done that’. When you start out making music, you just want to make something that people will like.

Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.

The person I am in the company of my sisters has been entirely different from the person I am in the company of other people. Fearless, powerful, surprising, moved as I otherwise am only when I write.

How different each death is, and yet it leads us into the self-same country, that country which we inhabit so rarely, where we see the worthlessness of what we have long pursued and will so soon return to pursuing.

The same image that I have of all the countries where I am supposed to go: it’s far, it’s different, it will be necessarily complicated, It’s another part of the world for me coming from the United States.

For those who want some proof that physicists are human, the proof is in the idiocy of all the different units which they use for measuring energy.

I wonder why it is that we find some days so much more oppressive than others, for no apparent reason. Is it growing pains – or spiritual trial? Once they’re over, the world looks quite a different place again.

I feel I’m at the end of something – everything is going to be different – and terrible.

Doing good and being good; are two different things. The first is a shirt we put on, take off. The latter is our skin.

I was born in St. Louis, but I’m from Maplewood, New Jersey. Maplewood is completely different than the rest of New Jersey. It’s very small. It’s quietly affluent but more low-key. Lauryn Hill is from my town, though.