“I work while I’m on the move, so I’m able to book sessions in different cities.”

I’ll listen to certain things that I made back then, and I’m like, ‘I wish I could have done this, I would’ve done that’. When you start out making music, you just want to make something that people will like.

Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.

I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, ‘Bet, now I can focus on writing and singing.’

I was reading Neil Postman’s ‘Amusing Ourselves to Death’. It’s one of my favourites.

Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.

In order for people to take what you say seriously, they have to know who you are as a person.

Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that’s kind of how I realized I could sing.

I feel like any way you can get the message to resonate, I’m all for it.

I still got bars, I just use ’em differently. I’d say I’m a better singer than I am a rapper at this point because I’ve been sharpening my sword.

Music is my one opportunity to let out how I’m feeling when I’m not talking to a chick or my mom, you know what I mean? It’s just venting.

There’s the hype stuff that people love for five minutes and then there’s the stuff that changes cultures and shifts how you look at music. And then there’s that rare point where that hype stuff changes the game.

You work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.

You gotta question the purpose you serve for those who invite themselves into your life. Learn who you are and always question the motive. No one knows you the way you do.

I don’t wake up thinking about the genre of R&B as a whole. I just make music.

Don’t stop until you get where you’re trying to go.

We’re products of this world we were born into. We all battle our own demons. Everyone is troubled in the dark, but, please just stop & think about the babies. They’re gonna be here long after we leave.

To be a husbandman, is but a retreat from the city; to be a philosopher, from the world; or rather, a retreat from the world, as it is man’s, into the world, as it is God’s.

I’ve never had a treehouse because I live in New York City.

One time there was a student at Punjab University in Lahore who came down with cancer and his friend came to me for help. I stood outside on the street in Lahore and asked the people in that city for help. Within four or five hours, I received more than 40 million rupees [more than US $670,000].

I guess my goal is to design my own walker. The walkers with the big tennis balls, no one wants to use those. I would rather crawl down the street in New York City than use those.

Chris [Nolan] comes at this with such a different take on Batman, so I didn’t feel that I had to be true to any other actor playing this role. Of course, I read the comic books. His relationships with Lt. Gordon and with Batman, with Gotham City, those really helped me the most.

In USA culture is just a matter of commerce. So, you know, I don’t really look for that, and I don’t expect to find it in any city.

I often feel that my days in New York City, that I was here for five years, didn’t get one job, went on a thousands of auditions and literally did not get a job on a soap, not a movie, not TV, not nothing, although I did do some commercials thank God.

It doesn’t have to be the Grand Canyon, it could be a city street, it could be the face of another human being – Everything is full of wonder.