What I’m not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we’ve lived through, or feel we’ve had enough time.
KAZUO ISHIGUROI like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
More Kazuo Ishiguro Quotes
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Even the solitude, I’ve actually grown to quite like. I do like the feeling of getting into my little car, knowing for the next couple of hours I’ll have only the roads, the big gray sky and my daydreams for company.
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There was another life that I might have had, but I am having this one.
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Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
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The world is crawling with authors touring now. They’re like performance artists.
KAZUO ISHIGURO -
I want my words to survive translation.
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I don’t think it’s any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win.
KAZUO ISHIGURO -
Memory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.
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People aren’t quite sure what it means when a book is a Booker Prize winner. They’re not quite sure what is being recommended, what literary values it stands for, because every year it stands for something different.
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Love isn’t about when you first meet. It’s about the many, many years you spend together, when you’re trying to keep that flame burning.
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Perhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.
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I can’t even say I made my own mistakes. Really – one has to ask oneself – what dignity is there in that?
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What is pertinent is the calmness of that beauty, its sense of restraint.
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I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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As with a wound on one’s own body, it is possible to develop an intimacy with the most disturbing of things.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
KAZUO ISHIGURO






