“What I’m not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we’ve lived through, or feel we’ve had enough time.”

I think of my pile of old paperbacks, their pages gone wobbly, like they’d once belonged to the sea.

I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.

What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.

Indeed — why should I not admit it? — in that moment, my heart was breaking.

There was another life that I might have had, but I am having this one.

Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.

I really have to think of the things fiction can do that film can’t and play to the strengths of the novel. With a novel you can get right inside somebody’s head.

I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.

My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.

There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?

We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.

Love isn’t about when you first meet. It’s about the many, many years you spend together, when you’re trying to keep that flame burning.

I started as a songwriter and wanted to be like Leonard Cohen. I’ve always seen my stories as enlarged songs.

I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.

And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.

I have the feeling of this completely alternative person I should have become. There was another life that I might have had, but I’m having this one.

Beginning well is a momentary thing; finishing well is a lifelong thing.

It was really fun to play a period piece because I’ve never done that before and it’s completely different.

Have you ever felt as you had everything all the love in the world when you were completely alone and only had yourself?

The moment we recognize our complete weakness and our dependence upon Him will be the very moment that the Spirit of God will exhibit His power.

I have to speak for myself. As far as videos go – casting, the artwork, everything – I’m completely hands-on. You have to be if you want your points across.

A man succeeds in completing a work only when his qualities transcend that work.

Never let your work drive you. Master it and keep it in complete control.

When my dad played me ‘Walking Man,’ I heard those chord changes and that melody, it completely blew me away. Maybe you wouldn’t really hear the James Taylor influences in my music, but they’re definitely buried in there.