An artist’s concern is to capture beauty wherever he finds it.
KAZUO ISHIGUROThere was another life that I might have had, but I am having this one.
More Kazuo Ishiguro Quotes
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Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it’s a bit of a shock and takes me a while to adjust.
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I felt slightly superior to student politics, for instance. I had no reason to think this, but I thought of myself as slightly more seasoned. I became quite cynical talking to my student friends.
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Many of our deepest motives come, not from an adult logic of how things work in the world, but out of something that is frozen from childhood.
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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you’ve made, and there’s this panic because you don’t know yet the scale of disaster you’ve left yourself open to.
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It had never occurred to me that our lives, which had been so closely interwoven, could unravel with such speed.
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If you are under the impression you have already perfected yourself, you will never rise to the heights you are no doubt capable of.
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As a writer, I’m more interested in what people tell themselves happened rather than what actually happened.
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There’s still a part of me that thinks I have to write a really good novel. I’m not trying to say I’m not happy with the novels I’ve written in the past. But it always feels to me like there’s another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
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Now naturally, like many of us, I have a reluctance to change too much of the old ways.
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The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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What interests me is the surprising enormous extent to which most people accept the fate that’s been given to them, and find some dignity.
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Its was one of those events which at a crucial stage in one’s development arrive to challenge and stretch one to the limit of one’s ability and beyond, so that thereafter one has a new standard by which to judge oneself.
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People aren’t quite sure what it means when a book is a Booker Prize winner. They’re not quite sure what is being recommended, what literary values it stands for, because every year it stands for something different.
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Perhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.
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When you become a parent, or a teacher, you turn into a manager of this whole system. You become the person controlling the bubble of innocence around a child, regulating it.
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I think of my pile of old paperbacks, their pages gone wobbly, like they’d once belonged to the sea.
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I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
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Memory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.
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There was another life that I might have had, but I am having this one.
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There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life.
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You have to accept that sometimes that’s how things happen in this world. People’s opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.
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To see the best before I have properly begun would be somewhat premature.
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Even at the time, I realised this couldn’t be right, that this interpretation didn’t fit with the rest of the lyrics. But that wasn’t an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.
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Even the solitude, I’ve actually grown to quite like. I do like the feeling of getting into my little car, knowing for the next couple of hours I’ll have only the roads, the big gray sky and my daydreams for company.
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What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
KAZUO ISHIGURO