Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it’s a bit of a shock and takes me a while to adjust.
KAZUO ISHIGUROMemory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.
More Kazuo Ishiguro Quotes
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The problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
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I have the feeling of this completely alternative person I should have become. There was another life that I might have had, but I’m having this one.
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All children have to be deceived if they are to grow up without trauma.
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There comes a point when you can more or less count the number of books you’re going to write before you die.
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The evening’s the best part of the day. You’ve done your day’s work. Now you can put your feet up and enjoy it.
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What is pertinent is the calmness of that beauty, its sense of restraint.
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Now naturally, like many of us, I have a reluctance to change too much of the old ways.
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And I’m a Hailsham student – which is enough by itself sometimes to get people’s backs up.
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There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life.
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Don’t you wonder sometimes, what might have happened if you tried?
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I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that’s vanished – the England of my childhood has actually disappeared.
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I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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I don’t think it’s any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win.
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I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.
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I can’t even say I made my own mistakes. Really – one has to ask oneself – what dignity is there in that?
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I felt slightly superior to student politics, for instance. I had no reason to think this, but I thought of myself as slightly more seasoned. I became quite cynical talking to my student friends.
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Love isn’t about when you first meet. It’s about the many, many years you spend together, when you’re trying to keep that flame burning.
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You say you’re sure? Sure that you’re in love? How can you know it? You think love is so simple?
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I discovered that my imagination came alive when I moved away from the immediate world around me.
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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you’ve made, and there’s this panic because you don’t know yet the scale of disaster you’ve left yourself open to.
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Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.
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The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
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I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
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What interests me is the surprising enormous extent to which most people accept the fate that’s been given to them, and find some dignity.
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She always wanted to believe in things.
KAZUO ISHIGURO