It is one of the enjoyments of retirement that you are able to drift through the day at your own pace, easy in the knowledge that you have put hard work and achievement behind you.
KAZUO ISHIGUROI can’t even say I made my own mistakes. Really – one has to ask oneself – what dignity is there in that?
More Kazuo Ishiguro Quotes
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I’ve always had a great fondness for English detective fiction such as Agatha Christie and Dorothy Sayers.
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There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life.
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What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
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What I’m not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we’ve lived through, or feel we’ve had enough time.
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And I’m a Hailsham student – which is enough by itself sometimes to get people’s backs up.
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I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
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The evening’s the best part of the day. You’ve done your day’s work. Now you can put your feet up and enjoy it.
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I don’t think it’s any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win.
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I discovered that my imagination came alive when I moved away from the immediate world around me.
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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you’ve made, and there’s this panic because you don’t know yet the scale of disaster you’ve left yourself open to.
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An artist’s concern is to capture beauty wherever he finds it.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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I really have to think of the things fiction can do that film can’t and play to the strengths of the novel. With a novel you can get right inside somebody’s head.
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We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
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The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it’s a bit of a shock and takes me a while to adjust.
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To see the best before I have properly begun would be somewhat premature.
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Even at the time, I realised this couldn’t be right, that this interpretation didn’t fit with the rest of the lyrics. But that wasn’t an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.
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I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.
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You say you’re sure? Sure that you’re in love? How can you know it? You think love is so simple?
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There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
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If you are under the impression you have already perfected yourself, you will never rise to the heights you are no doubt capable of.
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After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?
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As I say, I have never in all these years thought of the matter in quite this way; but then it is perhaps in the nature of coming away on a trip such as this that one is prompted towards such surprising new perspectives on topics one imagined one had long ago thought throughly.
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She always wanted to believe in things.
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I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
KAZUO ISHIGURO