What I’m not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we’ve lived through, or feel we’ve had enough time.
KAZUO ISHIGUROI don’t think it’s any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win.
More Kazuo Ishiguro Quotes
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I started as a songwriter and wanted to be like Leonard Cohen. I’ve always seen my stories as enlarged songs.
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After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?
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I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
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You have to accept that sometimes that’s how things happen in this world. People’s opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.
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There was another life that I might have had, but I am having this one.
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You’re always in a rush, or else you’re too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk.
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What interests me is the surprising enormous extent to which most people accept the fate that’s been given to them, and find some dignity.
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I don’t think it’s any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win.
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But then, I suppose, when with the benefit of hindsight one begins to search one’s past for such ‘turning points’, one is apt to start seeing them everywhere.
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What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
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I can’t even say I made my own mistakes. Really – one has to ask oneself – what dignity is there in that?
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I felt slightly superior to student politics, for instance. I had no reason to think this, but I thought of myself as slightly more seasoned. I became quite cynical talking to my student friends.
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The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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I think of my pile of old paperbacks, their pages gone wobbly, like they’d once belonged to the sea.
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Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.
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To see the best before I have properly begun would be somewhat premature.
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I was a little concerned that a lot of people thought I wrote Merchant Ivory movies. I also thought if I was ever going to write something strange and difficult, that was the time.
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Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it’s a bit of a shock and takes me a while to adjust.
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Perhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.
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Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.
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Now naturally, like many of us, I have a reluctance to change too much of the old ways.
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I discovered that my imagination came alive when I moved away from the immediate world around me.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life.
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Indeed — why should I not admit it? — in that moment, my heart was breaking.
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I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
KAZUO ISHIGURO