If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
SEAMUS HEANEYI came from a farming background, and my career was teaching.
More Seamus Heaney Quotes
-
-
I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
SEAMUS HEANEY -
You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
SEAMUS HEANEY -
I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
SEAMUS HEANEY -
Poetry is a domestic art, most itself when most at home.
SEAMUS HEANEY -
The Ireland I now inhabit is one that these Irish contemporaries have helped to imagine.
SEAMUS HEANEY -
The faking of feelings is a sin against the imagination.
SEAMUS HEANEY -
In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
SEAMUS HEANEY -
I have begun to think of life as a series of ripples widening out from an original center.
SEAMUS HEANEY -
I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
SEAMUS HEANEY -
Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
SEAMUS HEANEY -
In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
SEAMUS HEANEY -
I always believed that whatever had to be written would somehow get itself written.
SEAMUS HEANEY -
The end of art is peace.
SEAMUS HEANEY -
In poetry, everything can be faked but the intensity of utterance.
SEAMUS HEANEY -
Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
SEAMUS HEANEY