I would say that something important for me and for my generation in Northern Ireland was the 1947 Education Act, which allowed students who won scholarships to go on to secondary schools and thence to university.
SEAMUS HEANEYI would say that something important for me and for my generation in Northern Ireland was the 1947 Education Act, which allowed students who won scholarships to go on to secondary schools and thence to university.
SEAMUS HEANEYPoetry is more a threshold than a path.
SEAMUS HEANEYA public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
SEAMUS HEANEYAt home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
SEAMUS HEANEYMy father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.
SEAMUS HEANEYThe completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
SEAMUS HEANEYThe experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
SEAMUS HEANEYThe kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
SEAMUS HEANEYThe gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
SEAMUS HEANEYI don’t think my intelligence is naturally analytic or political.
SEAMUS HEANEYWe go to poetry, we go to literature in general, to be forwarded within ourselves.
SEAMUS HEANEYOne doesn’t want one’s identity coerced.
SEAMUS HEANEYPoetry is a domestic art, most itself when most at home.
SEAMUS HEANEYThe amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
SEAMUS HEANEYOne of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
SEAMUS HEANEYI think childhood is, generally speaking, a preparation for disappointment.
SEAMUS HEANEY