I don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
SEAMUS HEANEYMy language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
More Seamus Heaney Quotes
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Since I was a schoolboy, I’ve been used to being recognized on the road by old and young, and being bantered with and, indeed, being taunted.
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In a war situation or where violence and injustice are prevalent, poetry is called upon to be something more than a thing of beauty.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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Dylan Thomas is now as much a case history as a chapter in the history of poetry.
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I credit poetry for making this space-walk possible.
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At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
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Sonnet is about movement in a form.
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
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Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
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As a young poet, you need corroboration, and that’s what publication does.
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I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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The murder of Sean Brown hurt my soul.
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Anybody serious about poetry knows how hard it is to achieve anything worthwhile in it.
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The end of art is peace.
SEAMUS HEANEY