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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.

Seamus Heaney

We go to poetry, we go to literature in general, to be forwarded within ourselves.
SEAMUS HEANEY

Literature Ourselves Poetry
I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
SEAMUS HEANEY

Intense Language Myself Poem Reading Talk Thinking
I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
SEAMUS HEANEY

Design Fear Finding Myself Place Superstition Writing
My point is there’s a hidden Scotland in anyone who speaks the Northern Ireland speech. It’s a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
SEAMUS HEANEY

Complication Factor Myself Point Talk
Poetry is always slightly mysterious, and you wonder what is your relationship to it.
SEAMUS HEANEY

Mystery Poetry Relationship Slight
There is risk and truth to yourselves and the world before you.
SEAMUS HEANEY

Risk Truth World Yourself
But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
SEAMUS HEANEY

Brutal Change Citizenship Destruction Perception Possible Pursue Recognition
The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
SEAMUS HEANEY

Finding Kind Poet Public Value
The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
SEAMUS HEANEY

Amount Culture Growth Help Material Myself System Thinking
Dylan Thomas is now as much a case history as a chapter in the history of poetry.
SEAMUS HEANEY

Case Chapter History Poetry
Every time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
SEAMUS HEANEY

Eyes Poem Reading Time Voice
Poetry is what we do to break bread with the dead.
SEAMUS HEANEY

Break Death Poetry
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
SEAMUS HEANEY

Family Farm Funeral Kind Representation Work
I’m a firm believer in learning by heart.
SEAMUS HEANEY

Believe Heart Learning
I don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
SEAMUS HEANEY

Home Myself Reading Time
I have begun to think of life as a series of ripples widening out from an original center.
SEAMUS HEANEY

Beginning Life Myself Thinking Wide

My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.

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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.

Related Topics

Popular Authors

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