Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
SEAMUS HEANEYI always believed that whatever had to be written would somehow get itself written.
More Seamus Heaney Quotes
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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I’m a firm believer in learning by heart.
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Sonnet is about movement in a form.
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If poetry and the arts do anything, they can fortify your inner life, your inwardness.
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My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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Even if the last move did not succeed, the inner command says move again.
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History says, ‘Don’t hope on this side of the grave.’
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Poetry is a domestic art, most itself when most at home.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
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The poet is on the side of undeceiving the world.
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
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I think of Dermot Healy as the heir to Patrick Kavanagh.
SEAMUS HEANEY