Whereas the work is understood to be traceable to a source (through a process of derivation or “filiation”), the Text is without a source – the “author” a mere “guest” at the reading of the Text.
ROLAND BARTHESPainting can feign reality without having seen it.
More Roland Barthes Quotes
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How does meaning get into the image? Where does it end? And if it ends, what is there beyond?
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A picture is never anything but its own plural description.
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When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
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The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
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Who speaks is not who writes, and who writes is not who is.
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Pleasure is continually disappointed, reduced, deflated, in favor of strong, noble values: Truth, Death, Progress, Struggle, Joy, etc. Its victorious rival is Desire: we are always being told about Desire, never about Pleasure.
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What love lays bare in me is energy.
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It must always be considered as though spoken by a character in a novel
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Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
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The author enters into his own death, writing begins.
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He who reads a story only once is condemned to read the same story his whole life.
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To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
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What the Photograph reproduces to infinity has occurred only once: the Photograph mechanically repeats what could never be repeated existentially.
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Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
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Someone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
ROLAND BARTHES