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To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.

Roland Barthes

I am interested in language because it wounds or seduces me.
ROLAND BARTHES

Interesting Language Myself Seduce Wound
If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a “weakness” or an “absurdity”: it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
ROLAND BARTHES

Acknowledge Demand Depend Myself Sign Strength Strong
To make someone wait: the constant prerogative of all power.
ROLAND BARTHES

Patience Power Wait
Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
ROLAND BARTHES

Fear Photography Scare Thinking
Language is never innocent.
ROLAND BARTHES

Innocent Language One Liner
I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time.
ROLAND BARTHES

Arrival Lose Myself Time
I make the other’s absence responsible for my worldliness.
ROLAND BARTHES

Absence Myself Responsibility World
Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.
ROLAND BARTHES

Desire Fingers Language Myself Skin Tremble Word
There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
ROLAND BARTHES

Attend People Performance Spectacle Sports Thinking
We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
ROLAND BARTHES

Body Destruction Goodness Identity Known Subject Voice Writing
I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
ROLAND BARTHES

I Love You Myself Removal
Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
ROLAND BARTHES

I Love You Language Lose Myself Point
One must turn the tongue seven times in the mouth before speaking.
ROLAND BARTHES

Mouth Oneself Speaking Time Tongue
To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
ROLAND BARTHES

Beginning Known Love Myself Writing
Each of us has his own rhythm of suffering.
ROLAND BARTHES

Hard Time Ourselves Suffering
If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
ROLAND BARTHES

Creation Fear God Problem Scare Slow Understand Understanding

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