There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
ROLAND BARTHESWhere you are tender, you speak your plural.
More Roland Barthes Quotes
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We know that the war against intelligence is always waged in the name of common sense.
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The birth of the reader must be at the cost of the death of the Author.
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The art of living has no history: it does not evolve: the pleasure which vanishes vanishes for good, there is no substitute for it. Other pleasures come, which replace nothing. No progress in pleasures, nothing but mutations.
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
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To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
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Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
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It must always be considered as though spoken by a character in a novel
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A light without shadow generates an emotion without reserve.
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
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The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
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Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
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As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
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We don’t forget, but something vacant settles in us.
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Someone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
ROLAND BARTHES