To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
ROLAND BARTHESThe lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
More Roland Barthes Quotes
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Every photograph is a certificate of presence.
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The politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!
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The text is a tissue of quotations drawn from the innumerable centres of culture.
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Touch is the most demystifying of all senses, different from sight which is the most magical.
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When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
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We don’t forget, but something vacant settles in us.
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The book creates meaning, the meaning creates life.
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Isn’t desire always the same, whether the object is present or absent? Isn’t the object always absent? -This isn’t the same languor: there are two words: Pothos, desire for the absent being, and Himéros, the more burning desire for the present being.
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Language is never innocent.
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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Whereas the work is understood to be traceable to a source (through a process of derivation or “filiation”), the Text is without a source – the “author” a mere “guest” at the reading of the Text.
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A picture is never anything but its own plural description.
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We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
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There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
ROLAND BARTHES