In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
ROLAND BARTHESPhysically, the Ventoux is dreadful. Bald, it’s the spirit of Dry: Its climate (it is much more an essence of climate than a geographic place) makes it a damned terrain, a testing place for heroes, something like a higher hell.
More Roland Barthes Quotes
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It is no longer the sexual which is indecent, it is the sentimental.
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I make the other’s absence responsible for my worldliness.
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I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
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To make someone wait: the constant prerogative of all power.
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The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
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The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
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Literature is the question minus the answer.
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The lover’s fatal identity is precisely this: I am the one who waits.
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Today there is no symbolic compensation for old age, no recognition of a specific value: wisdom, perceptiveness, experience, vision.
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Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
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Every exploration is an appropriation.
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The book creates meaning, the meaning creates life.
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The photographic image is a message without a code.
ROLAND BARTHES