The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
ROLAND BARTHESFrontiers are physical as well as symbolic constructions.
More Roland Barthes Quotes
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Someone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
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To eat steak rare represents both a nature and a morality.
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The new is not a fashion, it is a value.
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The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
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The book creates meaning, the meaning creates life.
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If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a “weakness” or an “absurdity”: it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
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Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
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The text is a tissue of quotations drawn from the innumerable centres of culture.
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Myth is neither a lie nor a confession: it is an inflexion.
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A photograph is always invisible, it is not it that we see.
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The lover’s fatal identity is precisely this: I am the one who waits.
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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I make the other’s absence responsible for my worldliness.
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Language is legislation, speech is its code. We do not see the power which is in speech because we forget that all speech is a classification, and that all classifications are oppressive.
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There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
ROLAND BARTHES