The poverty from which I have suffered could be diagnosed as ‘Soho’ poverty. It comes from having the airs and graces of a genius and no talent.
QUENTIN CRISPFashion is a way of not having to decide who you are. Style is deciding who you are and being able to perpetuate it.
More Quentin Crisp Quotes
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I never saw Portsmouth by day.
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It’s no good running a pig farm badly for 30 years while saying, ‘Really, I was meant to be a ballet dancer.’ By then, pigs will be your style.
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I had a friend who had two degrees of being made up: when invited I would say ‘Can I make up?’ and he would say ‘Oh yes – tinted?’, or he would say, ‘Oh yes – clotted?’
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There are three reasons for becoming a writer: the first is that you need the money; the second that you have something to say that you think the world should know; the third is that you can’t think what to do with the long winter evenings.
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Assoon as I stepped out of my mother’s womb on to dry land, I realized that I had made a mistake?but the trouble with children is that they are not returnable.
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I’ve never not been famous.
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The more people one has to love, the more one’s capacity to love stretches.
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One should always be wary of anyone who promises that their love will last longer than a weekend.
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The world now seems a stunningly ignoble place. It has not really grown all that much worse but appears to have done so because we know so much more about it than we did.
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I would have run all the way and I would have gone up to the largest and leatheriest of the denizens and said: If you truly love me, kill the bartender.
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If Mr. Vincent Price were to be co-starred with Miss Bette Davis in a story by Mr. Edgar Allan Poe directed by Mr. Roger Corman, it could not fully express the pent-up violence and depravity of a single day in the life of the average family.
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In an expanding universe, time is on the side of the outcast. Those who once inhabited the suburbs of human contempt find that without changing their address they eventually live in the metropolis.
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Masturbation is not only an expression of self-regard: it is also the natural emotional outlet of those who…have already accepted as inevitable the wide gulf between their real futures and the expectations of their fantasies.
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To love another person you have to undertake some fragment of their destiny.
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I asked a girl who came from America to England, when I was only English, and she admitted she had been to a drama school. And I said, “What did they teach you?” And she said, “They taught me to be a candle burning in an empty room.”
QUENTIN CRISP






