I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
MITSKII think your ego gets in the way of making something good because it kind of blinds you from the actual art.
More Mitski Quotes
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As a woman of color, I always have to be at 150 percent and better than everybody in the room to be considered competent.
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I think my real influences are out of my control, which are the things that entered my brain when I was a kid growing up.
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Sometimes when I perform, and it’s obvious the audience is just there to party, or if I feel a wall between me and the audience, I get existential about it.
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I don’t want to be elitist.
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What’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.
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With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There’s nothing that’s set.
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It’s nice to know there’s a big world with many perspectives. I tend to get so stuck in my own small world easily, and going out into the world reminds me that I’m not the center of the world – in a good way.
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I think your ego gets in the way of making something good because it kind of blinds you from the actual art.
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Often I’ve had problems automatically bending to a lover’s will, becoming what I know they want me to be. Immediately, I learn all the music they love, listen to it, study it, instead of being like, ‘This is what I love!’
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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I have my privileges, but I do feel like at every turn there is such resistance.
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Being an outsider makes you a really good writer.
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I created this ‘ideal America.’ Finally I came to the U.S. and realised, ‘Oh, I don’t belong here, either.’
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I think it’s very dangerous as an artist to be comfortable.
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I always have strong urges to sabotage myself.
MITSKI