My personality’s very obsessive-compulsive. I tend to fixate a lot.
MITSKIMy personality’s very obsessive-compulsive. I tend to fixate a lot.
MITSKII don’t think I’m alone in this: I’m obsessed with trying to not only be happy but maintain happiness, but my definition of happiness is skewed more towards ecstasy rather than contentment.
MITSKII think what’s hard for me is not that I don’t get downtime to chill, it’s that I don’t get time to make music.
MITSKII don’t set out to write something. I more just write, and later on, I discover what it’s about.
MITSKII tend to not want to do that anymore. It’s not even that I don’t like it anymore: it’s that I keep trying to find ways for people to dislike me.
MITSKIMiyazaki movies were what I was raised on. I’ve watched them since I was very young, and I’ve been greatly shaped by them.
MITSKII think people don’t realize how little of being an artist is making art.
MITSKII lived abroad most of my life in insular international communities.
MITSKII really just care about making music and how I can make it next.
MITSKII’m not an innovator.
MITSKIBeing an outsider makes you a really good writer.
MITSKIOn one hand, I think it’s very important to talk about race and talk about gender, because if it’s not talked about, then we won’t progress.
MITSKIIt would actually feel forced or unnatural to try to do a different singing style or to try to change my sound completely.
MITSKIOften I’ve had problems automatically bending to a lover’s will, becoming what I know they want me to be. Immediately, I learn all the music they love, listen to it, study it, instead of being like, ‘This is what I love!’
MITSKIWhen you’re an adult, things mellow out. I think when you’re a teenager and you are sad and the world is ending, everything is about that one sadness.
MITSKIA lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn’t like that for me. I didn’t think of it as a job or a career – it was just something that was constant.
MITSKI