This was once achieved by extensive deprivation. Today in the developed countries it is being achieved by imposing a false standard of what is and what is not desirable.
JOHN BERGERLandscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
More John Berger Quotes
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What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
JOHN BERGER -
Those who first invented and then named the constellations were storytellers.
JOHN BERGER -
The animal has secrets which, unlike the secrets of caves, mountains, seas are specifically addressed to man.
JOHN BERGER -
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
JOHN BERGER -
Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
JOHN BERGER -
Every authentic poem contributes to the labor of poetry… to bring together what life has separated or violence has torn apart…
JOHN BERGER -
A photograph is a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photograph are often contradictory.
JOHN BERGER -
The contradiction in perspective was that it structured all images of reality to address a single spectator who, unlike God, could only be in one place at a time.
JOHN BERGER -
Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGER -
Nothing fortuitous happens in a child’s world. There are no accidents. Everything is connected with everything else and everything can be explained by everything else. . . . For a young child everything that happens is a necessity.
JOHN BERGER -
If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
JOHN BERGER -
Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence.
JOHN BERGER -
When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.
JOHN BERGER -
Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
JOHN BERGER -
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
JOHN BERGER