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Fanaticism comes from any form of chosen blindness accompanying the pursuit of a single dogma.

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Blindness Chosen Come Dogma Fantacism Form Pursuit

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.
JOHN BERGER

Experience Give Giving Moment Narrative Normal Offer Planet Public Sense Space
Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
JOHN BERGER

Artist Celebrity Country Drawing Epson Expert Like Most Often People Picasso Rembrandts
Nothing in the nature around us is evil. This needs to be repeated since one of the human ways of talking oneself into inhuman acts is to cite the supposed cruelty of nature.
JOHN BERGER

Act Around Evil Human Inhuman Nature Need Nothing Repeated Talking Way
Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor.
JOHN BERGER

Art Become Enduring Function Gut Honor Invisible Meeting Place
All photographs are there to remind us of what we forget. In this – as in other ways – they are the opposite of paintings.
JOHN BERGER

Forget Opposite Other Pain Painting Photography Remind Way
Seeing comes before words. The child looks and recognizes before it can speak.
JOHN BERGER

Children Looks Speak Recognize Word
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
JOHN BERGER

Book Cover Four Inhabit Reading Roof Wall
Do you know the legend about cicadas? They say they are the souls of poets who cannot keep quiet because, when they were alive, they never wrote the poems they wanted to.
JOHN BERGER

Alive Cicadas Legend Poem Poet Quiet Soul
If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
JOHN BERGER

Contribute Memories Photograph Stranger Unknowable
For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal
JOHN BERGER

Behind Biographical Curtain Geographical Landmark Longer Personal
When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.
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Anguish Childhood Grief Learn Loss Period Suffer Total
No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
JOHN BERGER

Belong Draw Naturalist Paint Photograph Subject Way
This is not because they are callous or personally inhuman: it is because they live in and accept a society which is incapable of knowing what a human life is worth.
JOHN BERGER

Accept Callous Human Inhuman Know Live Society Worth
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama.
JOHN BERGER

Actor Art Before Both Bring Cinema Compare Drama Dramatix Nature Public Right Season
Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
JOHN BERGER

Almost Being Certainly Certainty Need Painting Pianist Something
I use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase.
JOHN BERGER

Charcoal Drawing Erase Fantastic Partly Range Use White Wrase

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