Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
JOHN BERGERAutobiography begins with a sense of being alone. It is an orphan form.
More John Berger Quotes
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Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
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The essence of songs is neither vocal nor cerebral but organic.
JOHN BERGER -
Ethics determine choices and actions and suggest difficult priorities.
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A peasant becomes fond of his pig and is glad to salt away its pork.
JOHN BERGER -
The publicity image steals her love of herself as she is, and offers it back to her for the price of the product.
JOHN BERGER -
The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
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What is to happen next will take place within the four walls of the story. And this is possible because the story’s voice makes everything its own.
JOHN BERGER -
The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
JOHN BERGER -
Yet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.
JOHN BERGER -
What makes photography a strange invention is that its primary raw materials are light and time.
JOHN BERGER -
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
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One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
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The animal has secrets which, unlike the secrets of caves, mountains, seas are specifically addressed to man.
JOHN BERGER -
The heart of Paris is like nothing so much as the unending interior of a house.
JOHN BERGER -
The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER