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Seeing comes before words. The child looks and recognizes before it can speak.

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
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These contradictions both hide and increase the natural ambiguity of the photographic image.
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What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind.
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What is to happen next will take place within the four walls of the story. And this is possible because the story’s voice makes everything its own.
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The human imagination… has great difficulty in living strictly within the confines of a materialist practice or philosophy.
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In the modern world, in which thousands of people are dying every hour as a consequence of politics, no writing anywhere can begin to be credible unless it is informed by political awareness and principles.
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A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.
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The true content of a photograph is invisible, for it derives from a play, not with form, but with time.
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Glamour cannot exist without personal social envy being a common and widespread emotion.
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Common Emotion Envy Exist Glamour Personal Social
The spectator-buyer is meant to envy herself as she will become if she buys the product.
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Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence.
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Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
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Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.
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She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself.
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You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
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Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
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