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We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death. Nothing forces us to remain what we were.

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Accident Anything Birth Impossible Injustice May Nothing Remain

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Publicity is the life of this culture – in so far as without publicity capitalism could not survive – and at the same time publicity is its dream.
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As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.
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The contradiction in perspective was that it structured all images of reality to address a single spectator who, unlike God, could only be in one place at a time.
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The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
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Those who first invented and then named the constellations were storytellers.
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The animal has secrets which, unlike the secrets of caves, mountains, seas are specifically addressed to man.
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All weddings are similar, but every marriage is different.
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The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
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The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
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By contrast, a woman’s presence… defines what can and cannot be done to her.
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You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
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Men look at women. Women watch themselves being looked at.
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The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
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When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
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Glamour cannot exist without personal social envy being a common and widespread emotion.
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