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We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death. Nothing forces us to remain what we were.

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Accident Anything Birth Impossible Injustice May Nothing Remain

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Your lips, beloved, are like a honeycomb: honey and milk are under the tongue. And the smell of your clothes is like the smell of my home.
JOHN BERGER

Beloved Clothes Home Honeycomb Like Lip Milk Smell Tongue
Men look at women. Women watch themselves being looked at.
JOHN BERGER

Aqtch Look Men Sight Vision Women
What is to happen next will take place within the four walls of the story. And this is possible because the story’s voice makes everything its own.
JOHN BERGER

Everything Four Happen Make Place Possible Story Take Wall
Nothing fortuitous happens in a child’s world. There are no accidents. Everything is connected with everything else and everything can be explained by everything else. . . . For a young child everything that happens is a necessity.
JOHN BERGER

Child Children Fortuitouus Happen Nothing World Young
It is not usually possible in a poem or a story to make the relationship between particular and universal fully explicit. Those who try to do so end up writing parables.
JOHN BERGER

Between Explicit Fully Make Relationship Stories Trying Universal Usually Writing
For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.
JOHN BERGER

Artist Discovery Drawing Literally Phrase Slick True
What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind.
JOHN BERGER

Achieve All Art Cinema Mankind People Save Sky Spontaneous
These contradictions both hide and increase the natural ambiguity of the photographic image.
JOHN BERGER

Ambiguity Contradiction Image Increase Natural Photo Photograph
Nothing in the nature around us is evil. This needs to be repeated since one of the human ways of talking oneself into inhuman acts is to cite the supposed cruelty of nature.
JOHN BERGER

Act Around Evil Human Inhuman Nature Need Nothing Repeated Talking Way
The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER

Bases Extreme Finishing Giacometti History Impossible Incomplete Portrayed Proposition Reality Share Staring
Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
JOHN BERGER

Adjustment Against Derive Hope Injustice Justice Little Protest Shouting
If every event which occurred could be given a name, there would be no need for stories.
JOHN BERGER

Event Given Name Need Occurred Story
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
JOHN BERGER

Enjoy Hand Look Mirror Morally Naked Paint Painting Pleasure Vanity Women
The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
JOHN BERGER

Authority Bureaucrat Glamorous Happiness Power Reside Suppose
As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.
JOHN BERGER

Boycott Celebrity Circumstance Country Depend Government People Person Pont Principle Tactic Upon Way
Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
JOHN BERGER

Appearance Capital Equality Everything Object Oil Painting Reduce Relation Social

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