But more wonderful than the lore of old men and the lore of books is the secret lore of ocean.
H. P. LOVECRAFTBut more wonderful than the lore of old men and the lore of books is the secret lore of ocean.
More H. P. Lovecraft Quotes
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That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.
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Adulthood is hell.
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Orthodox Christianity, by playing upon the emotions of man, is able to accomplish wonders toward keeping him in order and relieving his mind. It can frighten or cajole him away from evil more effectively than could reason.
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Heaven knows where I’ll end up – but it’s a safe bet that I’ll never be at the top of anything! Nor do I particularly care to be.
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The sole ultimate factor in human decisions is physical force. This we must learn, however repugnant the idea may seem, if we are to protect ourselves and our institutions. Reliance on anything else is fallacious and ruinous.
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The world is indeed comic, but the joke is on mankind.
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The monotony of a long heroic poem may often be pleasantly relieved by judicious interruptions in the perfect succession of rhymes, just as the metre may sometimes be adorned with occasional triplets and Alexandrines.
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Of our relation to all creation we can never know anything whatsoever. All is immensity and chaos. But, since all this knowledge of our limitations cannot possibly be of any value to us, it is better to ignore it in our daily conduct of life.
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We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.
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One superlatively important effect of wide reading is the enlargement of vocabulary which always accompanies it.
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One can never produce anything as terrible and impressive as one can awesomely hint about.
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Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.
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I do not think that any realism is beautiful.
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Unhappy is he to whom the memories of childhood bring only fear and sadness.
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Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent.
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The ‘punch’ of a truly weird tale is simply some violation or transcending of fixed cosmic law – an imaginative escape from palling reality – hence, phenomena rather than persons are the logical ‘heroes.’
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If I could create an ideal world, it would be an England with the fire of the Elizabethans, the correct taste of the Georgians, and the refinement and pure ideals of the Victorians.
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Certain of Poe’s tales possess an almost absolute perfection of artistic form which makes them veritable beacon-lights in the province of the short story.
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Horrors, I believe, should be original – the use of common myths and legends being a weakening influence.
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There be those who say that things and places have souls, and there be those who say they have not; I dare not say, myself, but I will tell of The Street.
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Fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions.
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We should perceive that man’s period of historical existence, a period so short that his physical constitution has not been altered in the slightest degree, is insufficient to allow of any considerable mental change.
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Bunch together a group of people deliberately chosen for strong religious feelings, and you have a practical guarantee of dark morbidities expressed in crime, perversion, and insanity.
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Children, old crones, peasants, and dogs ramble; cats and philosophers stick to their point.
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It is easy to remove the mind from harping on the lost illusion of immortality. The disciplined intellect fears nothing and craves no sugar-plum at the day’s end, but is content to accept life and serve society as best it may.
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Even when the characters are supposed to be accustomed to the wonder, I try to weave an air of awe and impressiveness corresponding to what the reader should feel. A casual style ruins any serious fantasy.
H. P. LOVECRAFT