There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life.
The ‘punch’ of a truly weird tale is simply some violation or transcending of fixed cosmic law – an imaginative escape from palling reality – hence, phenomena rather than persons are the logical ‘heroes.’
The monotony of a long heroic poem may often be pleasantly relieved by judicious interruptions in the perfect succession of rhymes, just as the metre may sometimes be adorned with occasional triplets and Alexandrines.
Even when the characters are supposed to be accustomed to the wonder, I try to weave an air of awe and impressiveness corresponding to what the reader should feel. A casual style ruins any serious fantasy.
To me, there is nothing but puerility in a tale in which the human form – and local human passions and conditions and standards – are depicted as native to other worlds and universes.