I do not think that any realism is beautiful.
H. P. LOVECRAFTThere be those who say that things and places have souls, and there be those who say they have not; I dare not say, myself, but I will tell of The Street.
More H. P. Lovecraft Quotes
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It is easy to remove the mind from harping on the lost illusion of immortality. The disciplined intellect fears nothing and craves no sugar-plum at the day’s end, but is content to accept life and serve society as best it may.
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To me, there is nothing but puerility in a tale in which the human form – and local human passions and conditions and standards – are depicted as native to other worlds and universes.
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I am disillusioned enough to know that no man’s opinion on any subject is worth a damn unless backed up with enough genuine information to make him really know what he’s talking about.
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Atmosphere, not action, is the great desideratum of weird fiction. Indeed, all that a wonder story can ever be is a vivid picture of a certain type of human mood.
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Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.
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Certain of Poe’s tales possess an almost absolute perfection of artistic form which makes them veritable beacon-lights in the province of the short story.
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That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.
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Truth is of no practical value to mankind save as it affects terrestrial phenomena, hence the discoveries of science should be concealed or glossed over wherever they conflict with orthodoxy.
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If I could create an ideal world, it would be an England with the fire of the Elizabethans, the correct taste of the Georgians, and the refinement and pure ideals of the Victorians.
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One can never produce anything as terrible and impressive as one can awesomely hint about.
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Toil without song is like a weary journey without an end.
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The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.
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The world is indeed comic, but the joke is on mankind.
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I couldn’t live a week without a private library – indeed, I’d part with all my furniture and squat and sleep on the floor before I’d let go of the 1500 or so books I possess.
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The cat is classic whilst the dog is Gothic – nowhere in the animal world can we discover such really Hellenic perfection of form, with anatomy adapted to function, as in the felidae.
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Children, old crones, peasants, and dogs ramble; cats and philosophers stick to their point.
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The reason why time plays a great part in so many of my tales is that this element looms up in my mind as the most profoundly dramatic and grimly terrible thing in the universe.
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The real lover of cats is one who demands a clearer adjustment to the universe than ordinary household platitudes provide; one who refuses to swallow the sentimental notion that all good people love dogs, children, and horses while all bad people dislike and are disliked by such.
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The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.
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The ‘punch’ of a truly weird tale is simply some violation or transcending of fixed cosmic law – an imaginative escape from palling reality – hence, phenomena rather than persons are the logical ‘heroes.’
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Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous.
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All rationalism tends to minimalise the value and the importance of life and to decrease the sum total of human happiness.
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Searchers after horror haunt strange, far places.
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Adulthood is hell.
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Fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions.
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The sole ultimate factor in human decisions is physical force. This we must learn, however repugnant the idea may seem, if we are to protect ourselves and our institutions. Reliance on anything else is fallacious and ruinous.
H. P. LOVECRAFT