I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
GUILLERMO DEL TOROI see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
More Guillermo del Toro Quotes
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What happens to me is that I am first and foremost a film geek.
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I would much rather see somebody bring something new to a genre than produce something that seems safe.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
GUILLERMO DEL TORO -
When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
GUILLERMO DEL TORO -
Ghosts are a metaphor that can be interpreted so many different ways. There’s no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
GUILLERMO DEL TORO -
You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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You have to believe the magic to see it.
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I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
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Genius is the true mystery, and at its edge–the abyss.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
GUILLERMO DEL TORO -
I’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
GUILLERMO DEL TORO -
The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
GUILLERMO DEL TORO