Movies that look safe are less interesting.
GUILLERMO DEL TOROI love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
More Guillermo del Toro Quotes
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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
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I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
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At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
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I would much rather see somebody bring something new to a genre than produce something that seems safe.
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In real life, what scares me is politicians, corporations and people that think they know what the world should be.
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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
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Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
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There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
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Ghosts are a metaphor that can be interpreted so many different ways. There’s no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
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I only produce directors and movies that I have a lot in common with.
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If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
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I think there is a very quiet power in things that are not on screen
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You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
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As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
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People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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Your heart is uncomplicated. It knows what it knows and acts accordingly. Greater wisdom is hard to find.
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You give yourself to the world for people to either praise or destroy.
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I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
GUILLERMO DEL TORO