What we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
GUILLERMO DEL TOROI like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
More Guillermo del Toro Quotes
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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I like John Carpenter. I like some of his films more than others
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Genius is the true mystery, and at its edge–the abyss.
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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
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…there’s something about maternal love – it might just be the strongest human spiritual bond there is.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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There is beautiful in the grotesque.
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Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
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It’s as hard to explain as a sexual proclivity. Some guys like high-heeled shoes. I like horror.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
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Your heart is uncomplicated. It knows what it knows and acts accordingly. Greater wisdom is hard to find.
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I’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
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There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
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I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
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I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
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If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
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As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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The point of being over 40 is to fulfill the desires you’ve been harboring since you were 7.
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At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
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I think there is a very quiet power in things that are not on screen
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Movies that look safe are less interesting.
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