I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
GUILLERMO DEL TOROI’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
More Guillermo del Toro Quotes
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There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
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There is beautiful in the grotesque.
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Its a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
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I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
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As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
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You give yourself to the world for people to either praise or destroy.
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People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
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The point of being over 40 is to fulfill the desires you’ve been harboring since you were 7.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
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Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
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In real life, what scares me is politicians, corporations and people that think they know what the world should be.
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I only produce directors and movies that I have a lot in common with.
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What we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
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Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
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I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it’s great, too.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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It’s as hard to explain as a sexual proclivity. Some guys like high-heeled shoes. I like horror.
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For me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
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I would much rather see somebody bring something new to a genre than produce something that seems safe.
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If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
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Genius is the true mystery, and at its edge–the abyss.
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
GUILLERMO DEL TORO