When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
GUILLERMO DEL TOROYou have to believe the magic to see it.
More Guillermo del Toro Quotes
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Movies that look safe are less interesting.
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I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
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Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
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We’re in three living groups, ’cause even after the world’s ended some assholes still can’t get along.
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I only produce directors and movies that I have a lot in common with.
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I’m the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I’d like to be there.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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Your heart is uncomplicated. It knows what it knows and acts accordingly. Greater wisdom is hard to find.
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I’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
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There is beautiful in the grotesque.
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There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
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You have to believe the magic to see it.
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People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
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It’s as hard to explain as a sexual proclivity. Some guys like high-heeled shoes. I like horror.
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The point of being over 40 is to fulfill the desires you’ve been harboring since you were 7.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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What we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
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Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
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I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
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