Greatly talented performers don’t know – often spectacularly – what’s best for them, don’t know what their talents really are, and don’t know what’s just plain wrong for them.
DICK CAVETTA biggest mistake I made when I started doing a talk show was I thought you had to read the books.
More Dick Cavett Quotes
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I did standup while still working for Johnny Carson in the mid-’60s, thus gaining the advantage of at least getting laughs from him about how I hadn’t the night before.
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Sloppy language leads to sloppy thought, and sloppy thought to sloppy legislation.
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Every time I nostalgically try to regain my liking of John McCain, he reaches into his sleaze bag and pulls out something malodorous.
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Anything seen on TV is, in a subtle and sinister sense, thereby endorsed.
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Every comic can report a few ‘gift from the gods’ moments.
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Why are sex and violence always linked? I’m afraid they’ll blur together in people’s minds – sexandviolence – until we can’t tell them apart. I expect to hear a newscaster say, “The mob became unruly and the police were forced to resort to sex.”
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Chris Matthews can’t start any sentence without ‘Let me ask you this… ‘ And I love Chris Matthews! But almost everybody in journalism does it. Who’s stopping you? Just say it!
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I think we live in an age of increasing mediocrity.
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I like when the ice gets thin, the going gets rough, the guests get edgy.
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I feel sorry for the poor kids whose parents feel they’re qualified to teach them at home. Of course, some parents are smarter than some teachers, but in the main I see home-schooling as misguided foolishness.
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Can you picture yourself at the age 60 doing what you do now?
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I confess, I do have to remind myself almost daily that there are people on this earth capable of reading, writing, eating and dressing themselves who believe their lives are ruled from billions of miles away, by the stars – and, of course, the planets.
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A conversation does not have to be scintillating in order to be memorable. I once met a president of the United States, and his second sentence to me was about knees.
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To label me an intellectual is a misunderstanding of what that is.
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The emotions in all true anxiety dreams are next to unbearable.
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I haven’t ever found any great writing on that wonderful and often unappreciated art form, the insult.
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You have to be on TV a surprisingly long time before you’re stopped on the street. Then, when you are, you get a lot of, ‘Hey, you’re great! What’s your name again?’
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Therapists need to give a depressed patient support and direction.
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Every writer knows that unless you were born gifted with either supreme confidence or outsize ego, handing in your work holds, in some cases, admitted terror. If that’s too strong, at least fairly high anxiety.
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I’m not sure why writing for others became harder. Probably a reluctance to give away anything you might conceivably use yourself caused a block. I did it, but it remained hard when it had once been easy.
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I don’t think anyone ever gets over the surprise of how differently one audience’s reaction is from another.
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There should be three days a week when no one is allowed to say: ‘What’s your sign?’ Violators would have their copies of Kahlil Gibran confiscated.
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I’ll be happy if I can just stay out of Nebraska.
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There is something about a Luger that separates it from all other handguns, and Luger devotees and Luger society members speak of it in romantic terms that must sound plain nuts to those who consider themselves level-headed.
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You can, after all, reduce the reasons for watching TV to but two: to be lulled, and to be stimulated. Some people do one sometimes, the other sometimes. Some people do all of one or all of the other.
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It’s no fun being a specimen.
DICK CAVETT