The trick to writing for people is, you have to be able to turn them on in your head. And know how they’d word something or how they’d inflect it.
DICK CAVETTOnce I left out what I then considered my best line because there was a suspected column rat in the house.
More Dick Cavett Quotes
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It’s a rare person who wants to hear what he doesn’t want to hear.
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I would not ever try to be a show intellectual, which I was accused of doing a while on ABC. I thought you were supposed to read the guests’ books.
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If I were running a campaign, I’d urge taking the mountain of money reportedly squandered on pizza, coffee and bagels and spending it more wisely – on a talented young comedy writer.
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You can, after all, reduce the reasons for watching TV to but two: to be lulled, and to be stimulated. Some people do one sometimes, the other sometimes. Some people do all of one or all of the other.
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Every so often, there is an article saying the old kind of talk show isn’t possible now. In the oldest kind of talk show, you only had the choice of that or two other channels!
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It was well after college that I learned about depression. I got my first job for Jack Paar. I realized I was sleeping 14 hours a day and just living for the Paar show.
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Chris Matthews can’t start any sentence without ‘Let me ask you this… ‘ And I love Chris Matthews! But almost everybody in journalism does it. Who’s stopping you? Just say it!
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I like when the ice gets thin, the going gets rough, the guests get edgy.
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I guess the best advice I ever got or anyone could get for doing a talk show, though it has not been easy very often, was from Jack Paar, who said, ‘Kid, don’t make it an interview. Interviews have clipboards, and you’re like David Frost. Make it a conversation.’
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I don’t feel old. I feel like a young man that has something wrong with him.
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I have yet to see one of those Comedy Central shows with multiple standup comics that doesn’t include someone the size of the Hindenburg.
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Why anyone, by dying, should thereby be declared beyond criticism, innocent of wrongdoing, suddenly filled with virtue and above reproach escapes me.
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A grown man, weeping, is a tough thing to see.
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The sudden death at 51 of James Gandolfini is intolerable.
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The emotions in all true anxiety dreams are next to unbearable.
DICK CAVETT