I’m not sure where the artistry in film making is. It’s usually that moment when you’re on set and you’re working with the actors.
DARREN ARONOFSKYFor too long we have been taking, and the Earth has been giving. But that free-for-all, that all-you-can-eat buffet, it’s over. The salad bar is closed.
More Darren Aronofsky Quotes
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The ’90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the ’90s than they were in the ’80s. The ’90s was Ecstasy, the ’80s was yuppies.
DARREN ARONOFSKY -
I don’t make films that are easy to market, unfortunately. I think that ‘Pi’ was the easiest one, because we had that symbol to stick up everywhere, so that was a good gimmick, and created a good mystery, and we didn’t have to do huge scale.
DARREN ARONOFSKY -
It’s not that much of a difference. Basically, your job is the same as a film director. It’s a triangle between creativity, money, and time. But they don’t really change. You’re ultimately trying to get the most creativity and time with the money that you have.
DARREN ARONOFSKY -
I couldn’t sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.
DARREN ARONOFSKY -
The whole visual language of the movie is developed way before we get to set.
DARREN ARONOFSKY -
At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
DARREN ARONOFSKY -
I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.
DARREN ARONOFSKY -
To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don’t think is a good ride.
DARREN ARONOFSKY -
I wasn’t a big fan of social anthropology. And, luckily, that created room for me to work in visual arts because I sort of ignored my requirements. I think I was attracted to social anthropology because I liked to travel and was always interested in far-off places.
DARREN ARONOFSKY -
My god is narrative filmmaking.
DARREN ARONOFSKY -
If you think of that, as a parent, you know that if you have too much justice and you’re too strict, you destroy a child. If you have too much mercy, as a parent, you destroy a child as well. A big part of this movie is Noah finding mercy for man.
DARREN ARONOFSKY -
I think it’s my nature to try and make original content, and that’s what I’ve done, is just try and approach things in an original way, and do things differently.
DARREN ARONOFSKY -
I was 12 or 13 years old. So I started to write poetry and fiction, even though I was really into biology because my dad was a science teacher. I kept writing all those years.
DARREN ARONOFSKY -
When people think about the ark, they’re always thinking about all the thousands of years of religious iconography of a ship with a bow and a deck, where Noah and the giraffes could walk around. In the actual written text it is basically described as a long, rectangular box.
DARREN ARONOFSKY -
I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.
DARREN ARONOFSKY







