The ’90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the ’90s than they were in the ’80s. The ’90s was Ecstasy, the ’80s was yuppies.
DARREN ARONOFSKYI don’t make films that are easy to market, unfortunately. I think that ‘Pi’ was the easiest one, because we had that symbol to stick up everywhere, so that was a good gimmick, and created a good mystery, and we didn’t have to do huge scale.
More Darren Aronofsky Quotes
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God can be found anywhere, and in fact, everywhere. And you don
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The whole visual language of the movie is developed way before we get to set.
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CGI means, just to be clear, creating any type of image with a computer. Basically, starting off with nothing, or with images and manipulating them.
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I think it’s my nature to try and make original content, and that’s what I’ve done, is just try and approach things in an original way, and do things differently.
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To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don’t think is a good ride.
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I end up spending a tremendous amount of energy and time trying to get money to make these movies and it’s exhausting.
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I think there’s something in collaboration – the fact that you can sit there and bounce ideas off of someone. It definitely matters who the person is, because certain people… T
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Comic books and graphic novels are a great medium. It’s incredibly underused.
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It’s not that much of a difference. Basically, your job is the same as a film director. It’s a triangle between creativity, money, and time. But they don’t really change. You’re ultimately trying to get the most creativity and time with the money that you have.
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Also expressionistic filmmaking – making the audience feel like they were inside the characters’ heads. And so we create all these different types of techniques to put the audience there.
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I’ve always wanted to introduce hip-hop filmmaking to film. There’s hip-hop art, dance, music, but there really isn’t hip-hop film. So I was trying to do that.
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My god is narrative filmmaking.
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I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.
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When I go to movies I generally want to be taken to another world.
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I couldn’t sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.
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I think that there’s an infinite amount of places where you can stick a camera. There’s an infinite amount of choices of what could be going on. There’s an infinite amount of places for so many things, so you have to figure out how to do your job.
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I think people are people and if their feelings are real and truthful, they can connect.
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These wrestlers aren’t organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There’s a lot of drama there.
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I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.
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When people think about the ark, they’re always thinking about all the thousands of years of religious iconography of a ship with a bow and a deck, where Noah and the giraffes could walk around. In the actual written text it is basically described as a long, rectangular box.
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If you think of that, as a parent, you know that if you have too much justice and you’re too strict, you destroy a child. If you have too much mercy, as a parent, you destroy a child as well. A big part of this movie is Noah finding mercy for man.
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I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap.
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I think I came to film-making through writing. I started to write, and people, teachers, responded to my writing.
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I’m not sure where the artistry in film making is. It’s usually that moment when you’re on set and you’re working with the actors.
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Now there is so much expertise and brainpower it’s hard to be at the cutting edge of what’s cool and not do something that’s totally geeky.
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I’m Godless. I’ve had to make my God, and my God is narrative filmmaking
DARREN ARONOFSKY