I’ve tried to take a chance with every film I’ve done – I’ve never done it the easy way, and I think that’s because that’s what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.
DARREN ARONOFSKYI think I came to film-making through writing. I started to write, and people, teachers, responded to my writing.
More Darren Aronofsky Quotes
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I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.
DARREN ARONOFSKY -
CGI means, just to be clear, creating any type of image with a computer. Basically, starting off with nothing, or with images and manipulating them.
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I think people are people and if their feelings are real and truthful, they can connect.
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I’m not sure where the artistry in film making is. It’s usually that moment when you’re on set and you’re working with the actors.
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I’ve spent a life loving women and studying them as much as I can, or am allowed to.
DARREN ARONOFSKY -
God can be found anywhere, and in fact, everywhere. And you don
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It’s not that much of a difference. Basically, your job is the same as a film director. It’s a triangle between creativity, money, and time. But they don’t really change. You’re ultimately trying to get the most creativity and time with the money that you have.
DARREN ARONOFSKY -
Also expressionistic filmmaking – making the audience feel like they were inside the characters’ heads. And so we create all these different types of techniques to put the audience there.
DARREN ARONOFSKY -
Angel Heart’ was one of my favorite films.
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I was 12 or 13 years old. So I started to write poetry and fiction, even though I was really into biology because my dad was a science teacher. I kept writing all those years.
DARREN ARONOFSKY -
I think it’s my nature to try and make original content, and that’s what I’ve done, is just try and approach things in an original way, and do things differently.
DARREN ARONOFSKY -
I’ve been joking that if Madonna taught us anything, you’ve got to reinvent yourself. I think it’s important as a filmmaker, as any person working in the arts, that you’ve got to try new stuff and challenge yourself and take chances.
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I couldn’t sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.
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There was that whole Ecstasy culture. People were having a pretty good time in the ’90s.
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I try to live my life where I end up at a point where I have no regrets. So I try to choose the road that I have the most passion on because then you can never really blame yourself for making the wrong choices. You can always say you’re following your passion.
DARREN ARONOFSKY -
I spent about a year and a half doing technical post work on ‘The Fountain’. Although I do like the process, I think my favorite part of filmmaking is the actors.
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To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don’t think is a good ride.
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I don’t make films that are easy to market, unfortunately. I think that ‘Pi’ was the easiest one, because we had that symbol to stick up everywhere, so that was a good gimmick, and created a good mystery, and we didn’t have to do huge scale.
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Comic books and graphic novels are a great medium. It’s incredibly underused.
DARREN ARONOFSKY -
I’ve always wanted to introduce hip-hop filmmaking to film. There’s hip-hop art, dance, music, but there really isn’t hip-hop film. So I was trying to do that.
DARREN ARONOFSKY -
When people think about the ark, they’re always thinking about all the thousands of years of religious iconography of a ship with a bow and a deck, where Noah and the giraffes could walk around. In the actual written text it is basically described as a long, rectangular box.
DARREN ARONOFSKY -
At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
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Animators have to live life 24 times as long as we do – every 24 frames of a second.
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When I go to movies I generally want to be taken to another world.
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I end up spending a tremendous amount of energy and time trying to get money to make these movies and it’s exhausting.
DARREN ARONOFSKY -
The whole visual language of the movie is developed way before we get to set.
DARREN ARONOFSKY