Angel Heart’ was one of my favorite films.
DARREN ARONOFSKYGod can be found anywhere, and in fact, everywhere. And you don
More Darren Aronofsky Quotes
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I think people are people and if their feelings are real and truthful, they can connect.
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I’ve spent a life loving women and studying them as much as I can, or am allowed to.
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The ’90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the ’90s than they were in the ’80s. The ’90s was Ecstasy, the ’80s was yuppies.
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I don’t make films that are easy to market, unfortunately. I think that ‘Pi’ was the easiest one, because we had that symbol to stick up everywhere, so that was a good gimmick, and created a good mystery, and we didn’t have to do huge scale.
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Also expressionistic filmmaking – making the audience feel like they were inside the characters’ heads. And so we create all these different types of techniques to put the audience there.
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Comic books and graphic novels are a great medium. It’s incredibly underused.
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I wasn’t a big fan of social anthropology. And, luckily, that created room for me to work in visual arts because I sort of ignored my requirements. I think I was attracted to social anthropology because I liked to travel and was always interested in far-off places.
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These wrestlers aren’t organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There’s a lot of drama there.
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I spent about a year and a half doing technical post work on ‘The Fountain’. Although I do like the process, I think my favorite part of filmmaking is the actors.
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For too long we have been taking, and the Earth has been giving. But that free-for-all, that all-you-can-eat buffet, it’s over. The salad bar is closed.
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I think I came to film-making through writing. I started to write, and people, teachers, responded to my writing.
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The whole visual language of the movie is developed way before we get to set.
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I couldn’t sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.
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If you think of that, as a parent, you know that if you have too much justice and you’re too strict, you destroy a child. If you have too much mercy, as a parent, you destroy a child as well. A big part of this movie is Noah finding mercy for man.
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I think there’s something in collaboration – the fact that you can sit there and bounce ideas off of someone. It definitely matters who the person is, because certain people… T
DARREN ARONOFSKY -
I’m Godless. I’ve had to make my God, and my God is narrative filmmaking
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It’s not that much of a difference. Basically, your job is the same as a film director. It’s a triangle between creativity, money, and time. But they don’t really change. You’re ultimately trying to get the most creativity and time with the money that you have.
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God can be found anywhere, and in fact, everywhere. And you don
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When I go to movies I generally want to be taken to another world.
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I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap.
DARREN ARONOFSKY -
I’ve always wanted to introduce hip-hop filmmaking to film. There’s hip-hop art, dance, music, but there really isn’t hip-hop film. So I was trying to do that.
DARREN ARONOFSKY -
When people think about the ark, they’re always thinking about all the thousands of years of religious iconography of a ship with a bow and a deck, where Noah and the giraffes could walk around. In the actual written text it is basically described as a long, rectangular box.
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I think it’s my nature to try and make original content, and that’s what I’ve done, is just try and approach things in an original way, and do things differently.
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Now there is so much expertise and brainpower it’s hard to be at the cutting edge of what’s cool and not do something that’s totally geeky.
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There was that whole Ecstasy culture. People were having a pretty good time in the ’90s.
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At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
DARREN ARONOFSKY