I think religion is often very different from spirituality. Religion is often about rules and people trying to control our lives who are actually very unspiritual…
DARREN ARONOFSKYThese wrestlers aren’t organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There’s a lot of drama there.
More Darren Aronofsky Quotes
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I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap.
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I’m not sure where the artistry in film making is. It’s usually that moment when you’re on set and you’re working with the actors.
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I’m Godless. I’ve had to make my God, and my God is narrative filmmaking
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If you think of that, as a parent, you know that if you have too much justice and you’re too strict, you destroy a child. If you have too much mercy, as a parent, you destroy a child as well. A big part of this movie is Noah finding mercy for man.
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That’s the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It’s upsetting because you get away from the core.
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I’ve tried to take a chance with every film I’ve done – I’ve never done it the easy way, and I think that’s because that’s what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.
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I wasn’t a big fan of social anthropology. And, luckily, that created room for me to work in visual arts because I sort of ignored my requirements. I think I was attracted to social anthropology because I liked to travel and was always interested in far-off places.
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Comic books and graphic novels are a great medium. It’s incredibly underused.
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The ’90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the ’90s than they were in the ’80s. The ’90s was Ecstasy, the ’80s was yuppies.
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I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.
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I’ve always wanted to introduce hip-hop filmmaking to film. There’s hip-hop art, dance, music, but there really isn’t hip-hop film. So I was trying to do that.
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I think it’s my nature to try and make original content, and that’s what I’ve done, is just try and approach things in an original way, and do things differently.
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I think I came to film-making through writing. I started to write, and people, teachers, responded to my writing.
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When I go to movies I generally want to be taken to another world.
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I think people are people and if their feelings are real and truthful, they can connect.
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I end up spending a tremendous amount of energy and time trying to get money to make these movies and it’s exhausting.
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There was that whole Ecstasy culture. People were having a pretty good time in the ’90s.
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I think that there’s an infinite amount of places where you can stick a camera. There’s an infinite amount of choices of what could be going on. There’s an infinite amount of places for so many things, so you have to figure out how to do your job.
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At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
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I’ve been joking that if Madonna taught us anything, you’ve got to reinvent yourself. I think it’s important as a filmmaker, as any person working in the arts, that you’ve got to try new stuff and challenge yourself and take chances.
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CGI means, just to be clear, creating any type of image with a computer. Basically, starting off with nothing, or with images and manipulating them.
DARREN ARONOFSKY -
The whole visual language of the movie is developed way before we get to set.
DARREN ARONOFSKY -
I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.
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Also expressionistic filmmaking – making the audience feel like they were inside the characters’ heads. And so we create all these different types of techniques to put the audience there.
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For too long we have been taking, and the Earth has been giving. But that free-for-all, that all-you-can-eat buffet, it’s over. The salad bar is closed.
DARREN ARONOFSKY -
God can be found anywhere, and in fact, everywhere. And you don
DARREN ARONOFSKY