When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they’re not obvious at the time. So, when I look back at my own work.
BRIAN ENOFor the world to be interesting, you have to be manipulating it all the time.
More Brian Eno Quotes
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So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
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If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
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Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
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People do dismiss ambient music, don’t they? They call it ‘easy listening,’ as if to suggest that it should be hard to listen to.
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The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
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What happens with notation is that it reduces things to a language which isn’t necessarily appropriate to them. In the same way that words do, you get a much cruder version of what was actually intended.
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One often makes music to supplement one’s world.
BRIAN ENO -
The seven white notes on the piano – each section of the piece (there are 12 sections) is five of those seven white notes.
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I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
BRIAN ENO -
Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
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Be the first to not do what nobody has ever thought of not doing before.
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Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
BRIAN ENO