In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
BRIAN ENOFor the world to be interesting, you have to be manipulating it all the time.
More Brian Eno Quotes
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Set up a situation that presents you with something slightly beyond your reach.
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Painting, I think it’s like jazz.
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I believe that singing is the key to long life, a good figure, a stable temperament, increased intelligence, new friends, super self-confidence , heightened sexual attractiveness, and a better sense of humor.
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I’ve got a feeling that music might not be the most interesting place to be in the world of things.
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All the best lyrics are written in ten minutes.
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It’s actually very easy for democracy to disappear.
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The problem with computers is that there is not enough Africa in them.
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When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
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Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
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It’s nice, I think, when people use your music for things you didn’t think of.
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
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Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature… The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
BRIAN ENO