In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
BRIAN ENOOf course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
More Brian Eno Quotes
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Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
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I occasionally meet people and they say, ‘Oh, I was born to Discreet Music’… They always have very weird eyes, those people.
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Anything popular is populist, and populist is rarely a good adjective.
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Lyrics are always misleading because they make people think that that’s what the music is about.
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It’s easy to forget that your best work is done when your attention is fully engaged.
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Ambient music is intended to induce calm and a space to think.
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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My guitar only has five strings ’cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
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A part of me has become immortal, out of my control.
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As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
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A responsible designer might try to overcome this limitation – probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
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The muscles are there simply to serve the head. But that isn’t how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They’re using their whole body to make music, in fact.
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With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
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If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
BRIAN ENO